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rivers

Looking northeast from the entrance of North Cove Harbor towards the CT River. This pier stands on what was once a rail causeway in the late 1800’s, connecting Saybrook Point to the Old Saybrook railroad station at the north end of town.

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Waterfall, Weston, VT

October 30, 2018

It occurred to me – after I spent the greater part of an hour photographing here – that the experience was as much about the sound as the sight of the falls. Here’s a little taste, taken with the light fading fast.

I’ve stayed away from making videos (and coming up to speed with video editing software), so my apologies for the lack of fade in/out here.

GET THEE OUT TO A RIVER!!!

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Here’s a view of the falls mentioned in the previous post, along with a finally balanced cairn. Rumor has it there used to be a brick factory upstream (probably just old factories made of brick), and every year a new batch of tumbled brick arrives. The supply seems endless.

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The water level was quite high for our annual Arches trek this year, and with the strong current, I didn’t even try swimming up to the falls, just off camera on the lower right. Unfortunately, that meant missing out on a wonderful last-all-year waterfall massage, one of the gifts of the place. But another – the sound of the waterfall itself – would settle deep into recesses of body and soul over a few hours time. The water itself was refreshing but sooo cold this late in August.

JJ meanwhile fell in love with my $20 “estate sale” guitar, and between us, we covered twenty or so songs, and made up a few originals along the way. Not a bad start for our “One World, One Guitar” tour, coming, perhaps, to a town near you.

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It occurred to me after the fact that I could have worked the nest building (see below) into this wider perspective, where more of the habitat is revealed. Consider it one that got away. It’s not the first, and won’t be the last. Two important lessons here: 1) the skill set that photography requires can get rusty, especially in the ability to see beyond formulaic approaches, and 2) ALWAYS try different perspectives. Doing the second helps with the first.

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I don’t do much post-processing with my images, as I prefer to get the work done on the front end, and trust my camera’s ability to render a scene.

This shot, though, seemed to call out for significant cropping, as I felt the lawn leading up to the water diluted the drama of the scene. (I didn’t get closer in deference to the property owner.)

Though I wouldn’t consider the image below “much post-processing”, it is a significant crop from the original. I liked the cropped version initially, but now I’m back to the original composition, mostly for its greater sense of space, including that beautiful sky.

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This view, to the southeast, was simply a ninety degree turn from the northeastly direction on the previous image. That’s the mouth of the CT River (behind the trees), where it dumps into the LI Sound. The contrail in this shot is an extension of the one in the previous image.

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Brings to mind that old Michael Hurley tune, Blue Navigator. And while you’re at it, check out Wildegeeses, which is perhaps the better soundtrack for this photo. The man was making “Americana” music long before it became known as such. Truly an American original, both a wonderful musician and visual artist (those are his paintings on his album covers); all in all, a real treasure.

Long ago, I shared a stage with him, at Tuner’s Bar in St. Albans VT. He had asked, very politely, if he could go up on one of our breaks. He proceeded to wrap a sheet around his body and a towel around his head, and went off into ten minutes of something or other – I got to wondering if we would ever get the stage back. I happened to be standing next to a woman at the bar who turned out to be his girlfriend; she had some tomatoes and said “You know, I was supposed to throw these at him, but I don’t think I can do it.”

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